Leaf by Niggle J.R.R. Tolkien © 1945

Leaf

by Niggle

There was once a little man called Niggle, who had a long journey to make. He did not want to go, indeed the whole idea was distasteful to him; but he could not get out of it. He knew he would have

to start some time, but he did not hurry with his preparations. Niggle was a painter. Not a very successful one, partly because he had many other things to do. Most of these things he thought were a nuisance; but he did them fairly well, when he could not get out of them: which (in his opinion) was far too often. The laws in his country were rather strict. There were other hindrances, too. For one thing, he was sometimes just idle, and did nothing at all. For another, he was kindhearted, in a way. You know the sort of kind heart: it made him uncomfortable more often than it made him do anything; and even when he did any thing, it did not prevent him from grumbling, losing his temper, and swearing (mostly to himself). All the same, it did land

him in a good many odd jobs for his neighbour, Mr. Parish, a man with a lame leg. Occasionally he even helped other people from further off, if they came and asked him to. Also, now and again, he remembered his journey, and began to pack a few things in an ineffectual way: at such

times he did not paint very much.He had a number of pictures on hand; most of them were too large and ambitious for his skill. He was the sort of painter who can paint leaves better than trees. He used to spend a long time on a single leaf, trying to catch its shape, and its sheen, and the glistening of dewdrops on its edges. Yet he wanted to paint a whole tree, with all of its leaves in

the same style, and all of them different. There was one picture in particular which bothered him. It had begun with a leaf caught in the wind, and it became a tree; and the tree grew, sending out innumerable branches, and thrusting out the most fantastic roots. Strange birds came and settled on the twigs and had to be attended to. Then all round the Tree, and behind it, through the gaps in the leaves and boughs, a country began to open out; and there were glimpses of a forest marching over the land, and of mountains tipped with snow. Niggle lost interest in his other pictures; or else he took them and tacked them on to the edges of his great picture. Soon the canvas became so large that he had to get a ladder; and he ran up and down it, putting in a touch here, and rubbing out a patch there. When people came to call, he seemed polite enough, though he fiddled

a little with the pencils on his desk. He listened to what they said, but underneath he was thinking all the time about his big canvas, in the tall shed that had been built for it out in his garden (on a plot where once he had grown potatoes). He could not get rid of his kind heart. ‘I wish I was more strong-minded’ he sometimes said to himself, meaning that he wished other people’s troubles did not make him feel uncomfortable. But for a long time he was not seriously perturbed. ‘At any rate, I shall get this one picture done, my real picture, before I have to go on that wretched journey,’ he used to say. Yet he was beginning to see that he could not put off his start indefinitely. The picture would have to stop just growing and get finished.

One day, Niggle stood a little way off from his picture and considered it with unusual attention and detachment. He could not make up his mind what he thought about it, and wished he had some

friend who would tell him what to think. Actually it seemed to him wholly unsatisfactory, and yet very lovely, the only really beautiful picture in the world. What he would have liked at that moment would have been to see himself walk in, and slap him on the back and say (with obvious sincerity): ‘Absolutely magnificent! I see exactly what you are getting at. Do get on with it, and don’t bother about anything else! We will arrange for a public pension, so that you need not.’

However, there was no public pension. And one thing he could see: it would need some concentration, some work, hard uninterrupted work, to finish the picture, even at its present size. He rolled up his sleeves, and began to concentrate. He tried for several days not to

bother about other things. But there came a tremendous crop of interruptions. Things went wrong in his house; he had to go and serve on a jury in the town; a distant friend fell ill; Mr. Parish was laid up with lumbago; and visitors kept on coming. It was springtime, and they wanted a free tea in the country: Niggle lived in a pleasant little house, miles away from the town. He cursed them in his  heart, but he could not deny that he had invited them himself, away back in the winter, when he had not thought it an ‘interruption’ to visit the shops and have tea with acquaintances in the town. He tried to harden his heart; but it was not a success. There were many things that he had not the face to say no to, whether he thought them duties or not; and there were some things he was compelled to do, whatever he thought. Some of his visitors hinted that his garden was rather neglected, and that he might get a visit from an Inspector. Very few of them knew about his picture, of course; but if they had known, it would not have made much difference. I doubt if they would have thought it mattered much. I dare say it was not really a very good picture, though it may have had some good passages. The Tree, at any rate, was curious. Quite unique in its way. So was Niggle; though he was also a very ordinary and rather silly little man. At length Niggle’s time became really precious. His acquaintances in the distant town began to remember that the little man had got to make a troublesome journey, and some began to calculate how long atthe latest he could put off starting. They wondered who would take his house, and if the garden would be better kept. The autumn came, very wet and windy. The little painter was in his shed. He was up on the ladder, trying to catch the gleam of the westering sun on the peak of a snow-mountain, which he had glimpsed just to the left of the leafy tip of one of the Tree’s branches. He knew that he would have to be leaving soon: perhaps early next year. He could only just get the picture finished, and only so so, at that: there were some corners where he would not have time now to do more than hint at what

he wanted. There was a knock on the door. ‘Come in!’ he said sharply, and climbed down the ladder. He stood on the floor twiddling his brush. It was his neighbour, Parish: his only real neighbour, all other folk lived a long way off. Still, he did not like the man very much: partly because he was so often in trouble and in need of help; and also because he did not care about painting, but was very critical about gardening. When Parish looked at Niggle’s garden (which was often) he saw mostly

weeds; and when he looked at Niggle’s pictures (which was seldom) he saw only green and grey patches and black lines, which seemed to him nonsensical. He did not mind mentioning the weeds (a neighbourly duty), but he refrained from giving any opinion of the pictures. He thought this was very kind, and he did not realize that, even if it was kind, it was not kind enough. Help with the weeds (and perhaps praise for the pictures) would have been better. ‘Well, Parish, what is it?’ said Niggle. I oughtn’t to interrupt you, I know,’ said Parish (without a glance at the picture). ‘You are very busy, I’m sure.’ Niggle had meant to say something like that him self, but he had missed his chance. All he said was: ‘Yes.’ ‘But I have no one else to turn to,’ said Parish. ‘Quite so,’ said Niggle  with a sigh: one of those sighs that are a private comment, but which are not made quite inaudible. ‘What can I do for you?’ ‘My wife has been ill for some days, and I am getting worried,’ said

Parish. ‘And the wind has blown half the tiles off my roof, and water is pouring into the bedroom. I think I ought to get the doctor. And the builders, too, only they take so long to come. I was wondering if you had any wood and canvas you could spare, just to patch me up and see me through for a day or two.’ Now he did look at the picture. ‘Dear, dear!’ said Niggle. ‘You are unlucky. I hope it is no more than a cold that your wife has got. I’ll come round presently, and help you move the patient downstairs.’ ‘Thank you very much,’ said Parish, rather coolly. ‘But it is not a

cold, it is a fever. I should not have bothered you for a cold. And my wife is in bed down stairs already. I can’t get up and down with trays, not with my leg. But I see you are busy. Sorry to have troubled you. I had rather hoped you might have been able to spare the time to go for the

doctor, seeing how I’m placed; and the builder too, if you really have no canvas you can spare.’

‘Of course,’ said Niggle; though other words were in his heart, which at the moment was merely soft without feeling at all kind. ‘I could go. I’ll go, if you are really worried.’ ‘I am worried, very worried. I wish I was not lame,’ said Parish. So Niggle went. You see, it was awkward. Parish was his neighbour, and everyone else a long way off. Niggle had a bicycle, and Parish had not, and could not ride one. Parish had a lame leg, a genuine lame leg which gave him a good deal of pain: that had to be remembered, as well as his sour expression and whining voice. Of course, Niggle had a picture and barely time to finish it. But it seemed that this was a thing that Parish had to reckon with and not Niggle. Parish, however, did not reckon with pictures; and Niggle could not alter that. ‘Curse it!’ he said to himself, as he got out his bicycle. It was wet and windy, and daylight was waning. ‘No more work for me today!’ thought Niggle, and all the time that he was riding, he was either swearing to himself, or imagining the strokes of his brush on the mountain, and on the spray of leaves beside it, that he had first imagined in the spring. His fingers twitched on the handlebars. Now he was out of the shed, he saw exactly the way in which to treat that shining spray which framed the distant vision of the mountain. But he had a sinking feeling in his heart, a sort of fear that he would never now get a chance to try it out.

Niggle found the doctor, and he left a note at the builder’s. The office was shut, and the builder had gone home to his fireside. Niggle got soaked to the skin, and caught a chill himself. The doctor did not set out as promptly as Niggle had done. He arrived next day, which was quite convenient for him, as by that time there were two patients to deal with, in neighbouring houses. Niggle was in bed, with a high temperature, and marvelous patterns of leaves and involved branches forming in his head and on the ceiling. It did not comfort him to learn that Mrs.Parish had only had a cold, and was getting up. He turned his face to the wall and buried himself in leaves. He remained in bed some time. The wind went on blowing. It took away a good many more of Parish’s tiles, and some of Niggle’s as well: his own roof began to leak. The builder did not come. Niggle did not care; not for a day or two. Then he crawled out to look for some food (Niggle had no wife). Parish did not come round: the rain had got into his leg and made it ache; and his wife was busy mopping up water, and wondering if ‘that Mr. Niggle’ had forgotten to call at the builder’s. Had she seen any chance of borrowing any thing useful, she would have sent Parish round, leg or no leg; but she did not, so Niggle was left to himself.

At the end of a week or so Niggle tottered out to his shed again.

He tried to climb the ladder, but it made his head giddy. He sat and

looked at the picture, but there were no patterns of leaves or visions of

mountains in his mind that day. He could have painted a far-off view of

a sandy desert, but he had not the energy.

Next day he felt a good deal better. He climbed the ladder, and

began to paint. He had just begun to get into it again, when there came

a knock on the door.

‘Damn!’ said Niggle. But he might just as well have said ‘Come in!’

politely, for the door opened all the same. This time a very tall man

came in, a total stranger.‘This is a private studio,’ said Niggle. ‘I am busy. Go away!’

‘I am an Inspector of Houses,’ said the man, holding up his appoint-

ment-card, so that Niggle on his ladder could see it.

‘Oh!’ he said.

‘Your neighbour’s house is not satisfactory at all,’ said the Inspector.

‘I know,’ said Niggle. ‘I took a note to the builder’s a long time ago,

but they have never come. Then I have been ill.’

‘I see,’ said the Inspector. ‘But you are not ill now.’

‘But I’m not a builder. Parish ought to make a complaint to the

Town Council, and get help from the Emergency Service.’

‘They are busy with worse damage than any up here,’ said the

Inspector. ‘There has been a flood in the valley, and many families are

homeless. You should have helped your neighbour to make temporary

repairs and prevent the damage from getting more costly to mend than

necessary. That is the law. There is plenty of material here: canvas,

wood, waterproof paint.’

‘Where?’ asked Niggle indignantly.

‘There!’ said the Inspector, pointing to the picture.

‘My picture!’ exclaimed Niggle.

‘I dare say it is,’ said the Inspector. ‘But houses come first. That is

the law.’

‘But I can’t . . .’ Niggle said no more, for at that moment another

man came in. Very much like the Inspector he was, almost his double:

tall, dressed all in black.

‘Come along!’ he said. ‘I am the Driver.’

Niggle stumbled down from the ladder. His fever seemed to have

come on again, and his head was swimming; he felt cold all over.

‘Driver? Driver?’ he chattered. ‘Driver of what?’

‘You, and your carriage,’ said the man. ‘The carriage was ordered

long ago. It has come at last. It’s waiting. You start today on your

journey, you know.’

‘There now!’ said the Inspector. ‘You’ll have to go; but it’s a bad way

to start on your journey, leaving your jobs undone. Still, we can at least

make some use of this canvas now.’

‘Oh dear!’ said poor Niggle, beginning to weep. ‘And it’s not even

finished!’

‘Not finished!’ said the Driver. ‘Well, it’s finished with, as far as

you’re concerned, at any rate. Come along!’

Niggle went, quite quietly. The Driver gave him no time to pack,

saying that he ought to have done that before, and they would miss the

train; so all Niggle could do was to grab a little bag in the hall. He found

that it contained only a paint-box and a small book of his own sketches:

neither food nor clothes. They caught the train all right. Niggle was

feeling very tired and sleepy; he was hardly aware of what was going on

when they bundled him into his compartment. He did not care much:

he had forgotten where he was supposed to be going, or what he was

going for. The train ran almost at once into a dark tunnel.

Niggle woke up in a very large, dim railway station. A Porter went

along the platform shouting, but he was not shouting the name of the

place; he was shouting Niggle!

Niggle got out in a hurry, and found that he had left his little bag

behind. He turned back, but the train had gone away.

‘Ah, there you are!’ said the Porter. ‘This way! What! No luggage?

You will have to go to the Work house.’

Niggle felt very ill, and fainted on the platform. They put him in an

ambulance and took him to the Workhouse Infirmary.

He did not like the treatment at all. The medicine they gave him

was bitter. The officials and attendants were unfriendly, silent, and

strict; and he never saw anyone else, except a very severe doctor, who

visited him occasionally. It was more like being in a prison than in a

hospital. He had to work hard, at stated hours: at digging, carpentry,

and painting bare boards all one plain colour. He was never allowed

outside, and the windows all looked inwards. They kept him in the dark

for hours at a stretch, ‘to do some think ing,’ they said. He lost count of

time. He did not even begin to feel better, not if that could be judged by

whether he felt any pleasure in doing anything. He did not, not even in

getting into bed.

At first, during the first century or so (I am merely giving his

impressions), he used to worry aimlessly about the past. One thing he

kept on repeating to himself, as he lay in the dark: ‘I wish I had called on

Parish the first morning after the high winds began. I meant to. The first

loose tiles would have been easy to fix. Then Mrs. Parish might never

have caught cold. Then I should not have caught cold either. Then I

should have had a week longer.’ But in time he forgot what it was that he

had wanted a week longer for. If he worried at all after that, it was about

his jobs in the hospital. He planned them out, thinking how quickly he

could stop that board creaking, or rehang that door, or mend that table-

leg. Probably he really became rather useful, though no one ever told

him so. But that, of course, cannot have been the reason why they kept

the poor little man so long. They may have been waiting for him to get

better, and judging ‘better’ by some odd medical standard of their own.

At any rate, poor Niggle got no pleasure out of life, not what he had

been used to call pleasure. He was certainly not amused. But it could

not be denied that he began to have a feeling of — well, satisfaction:

bread rather than jam. He could take up a task the moment one bell

rang, and lay it aside promptly the moment the next one went, all tidy

and ready to be continued at the right time. He got through quite a lot

in a day, now; he finished small things off neatly. He had no ‘time of his

own’ (except alone in his bed-cell), and yet he was becoming master of

his time; he began to know just what he could do with it. There was no

sense of rush. He was quieter inside now, and at resting-time he could

really rest.

Then suddenly they changed all his hours; they hardly let him go

to bed at all; they took him off carpentry altogether and kept him at

plain digging, day after day. He took it fairly well. It was a long while

before he even began to grope in the back of his mind for the curses that

he had practically forgotten. He went on digging, till his back seemed

broken, his hands were raw, and he felt that he could not manage another

spadeful. Nobody thanked him. But the doctor came and looked at him.

‘Knock off!’ he said. ‘Complete rest — in the dark.’

Niggle was lying in the dark, resting completely; so that, as he had not

been either feeling or thinking at all, he might have been lying there

for hours or for years, as far as he could tell. But now he heard Voices:

not voices that he had ever heard before. There seemed to be a Medi-

cal Board, or perhaps a Court of Inquiry, going on close at hand, in an

adjoining room with the door open, possibly, though he could not see

any light.

‘Now the Niggle case,’ said a Voice, a severe voice, more severe than

the doctor’s.

‘What was the matter with him?’ said a Second Voice, a voice that

you might have called gentle, though it was not soft — it was a voice of

authority, and sounded at once hopeful and sad. ‘What was the matter

with Niggle? His heart was in the right place.’

‘Yes, but it did not function properly,’ said the First Voice. ‘And his

head was not screwed on tight enough: he hardly ever thought at all.

Look at the time he wasted, not even amusing himself! He never got

ready for his journey. He was moderately well-off, and yet he arrived

here almost destitute, and had to be put in the paupers’ wing. A bad

case, I am afraid. I think he should stay some time yet.’

‘It would not do him any harm, perhaps,’ said the Second Voice.

‘But, of course, he is only a little man. He was never meant to be

anything very much; and he was never very strong. Let us look at the

Records. Yes. There are some favourable points, you know.’

‘Perhaps,’ said the First Voice; ‘but very few that will really bear

examination.’

‘Well,’ said the Second Voice, ‘there are these. He was a painter by

nature. In a minor way, of course; still, a Leaf by Niggle has a charm

of its own. He took a great deal of pains with leaves, just for their own

sake. But he never thought that that made him important. There is no

note in the Records of his pretending, even to himself, that it excused

his neglect of things ordered by the law.’

‘Then he should not have neglected so many,’ said the First Voice.

‘All the same, he did answer a good many Calls.’

‘A small percentage, mostly of the easier sort, and he called those

Interruptions. The Records are full of the word, together with a lot of

complaints and silly imprecations.’

‘True; but they looked like interruptions to him, of course, poor

little man. And there is this: he never expected any Return, as so many

of his sort call it. There is the Parish case, the one that came in later. He

was Niggle’s neighbour, never did a stroke for him, and seldom showed

any gratitude at all. But there is no note in the Records that Niggle

expected Parish’s gratitude; he does not seem to have thought about it.’

‘Yes, that is a point,’ said the First Voice; ‘but rather small. I think

you will find Niggle often merely forgot. Things he had to do for Parish

he put out of his mind as a nuisance he had done with.’

‘Still, there is this last report,’ said the Second Voice, ‘that wet

bicycle-ride. I rather lay stress on that. It seems plain that this was a

genuine sacrifice: Niggle guessed that he was throwing away his last

chance with his picture, and he guessed, too, that Parish was worrying

unnecessarily.’

‘I think you put it too strongly,’ said the First Voice. ‘But you have

the last word. It is your task, of course, to put the best interpretation on

the facts. Sometimes they will bear it. What do you propose?’

‘I think it is a case for a little gentle treatment now,’ said the Second

Voice.

Niggle thought that he had never heard anything so generous as

that Voice. It made Gentle Treatment sound like a load of rich gifts, and

a summons to a King’s feast. Then suddenly Niggle felt ashamed. To

hear that he was considered a case for Gentle Treatment overwhelmed

him, and made him blush in the dark. It was like being publicly praised,

when you and all the audience knew that the praise was not deserved.

Niggle hid his blushes in the rough blanket.

There was a silence. Then the First Voice spoke to Niggle, quite

close. ‘You have been listening,’ it said.

‘Yes,’ said Niggle.

‘Well, what have you to say?’

‘Could you tell me about Parish?’ said Niggle. ‘I should like to see

him again. I hope he is not very ill? Can you cure his leg? It used to give

him a wretched time. And please don’t worry about him and me. He

was a very good neighbour, and let me have excellent potatoes, very

cheap, which saved me a lot of time.’

‘Did he?’ said the First Voice. ‘I am glad to hear it.’

There was another silence. Niggle heard the Voices receding. ‘Well,

I agree,’ he heard the First Voice say in the distance. ‘Let him go on to

the next stage. Tomorrow, if you like.’

Niggle woke up to find that his blinds were drawn, and his little cell was

full of sunshine. He got up, and found that some comfortable clothes

had been put out for him, not hospital uniform. After breakfast the doc-

tor treated his sore hands, putting some salve on them that healed them

at once. He gave Niggle some good advice, and a bottle of tonic (in case

he needed it). In the middle of the morning they gave Niggle a biscuit

and a glass of wine; and then they gave him a ticket.

‘You can go to the railway station now,’ said the doctor. ‘The Porter

will look after you. Goodbye.’

Niggle slipped out of the main door, and blinked a little. The sun was

very bright. Also he had expected to walk out into a large town, to

match the size of the station; but he did not. He was on the top of a hill,green, bare, swept by a keen invigorating wind. Nobody else was about.

Away down under the hill he could see the roof of the station shining.

He walked downhill to the station briskly, but without hurry. The

Porter spotted him at once.

‘This way!’ he said, and led Niggle to a bay, in which there was a

very pleasant little local train standing: one coach, and a small engine,

both very bright, clean, and newly painted. It looked as if this was their

first run. Even the track that lay in front of the engine looked new: the

rails shone, the chairs were painted green, and the sleepers gave off a

delicious smell of fresh tar in the warm sunshine. The coach was empty.

‘Where does this train go, Porter?’ asked Niggle.

‘I don’t think they have fixed its name yet,’ said the Porter. ‘But

you’ll find it all right.’ He shut the door.

The train moved off at once. Niggle lay back in his seat. The little

engine puffed along in a deep cutting with high green banks, roofed

with blue sky. It did not seem very long before the engine gave a whistle,

the brakes were put on, and the train stopped. There was no station,

and no signboard, only a flight of steps up the green embankment. At

the top of the steps there was a wicket-gate in a trim hedge. By the gate

stood his bicycle; at least, it looked like his, and there was a yellow label

tied to the bars with NIGGLE written on it in large black letters.

Niggle pushed open the gate, jumped on the bicycle, and went

bowling downhill in the spring sunshine. Before long he found that

the path on which he had started had disappeared, and the bicycle was

rolling along over a marvellous turf. It was green and close; and yet he

could see every blade distinctly. He seemed to remember having seen

or dreamed of that sweep of grass somewhere or other. The curves of

the land were familiar somehow. Yes: the ground was becoming level,

as it should, and now, of course, it was beginning to rise again. A great

green shadow came between him and the sun. Niggle looked up, and

fell off his bicycle.

Before him stood the Tree, his Tree, finished. If you could say that

of a Tree that was alive, its leaves opening, its branches growing and

bending in the wind that Niggle had so often felt or guessed, and had sooften failed to catch. He gazed at the Tree, and slowly he lifted his arms

and opened them wide.

‘It’s a gift!’ he said. He was referring to his art, and also to the result;

but he was using the word quite literally.

He went on looking at the Tree. All the leaves he had ever laboured

at were there, as he had imagined them rather than as he had made

them; and there were others that had only budded in his mind, and

many that might have budded, if only he had had time. Nothing was

written on them, they were just exquisite leaves, yet they were dated as

clear as a calendar. Some of the most beautiful — and the most char-

acteristic, the most perfect examples of the Niggle style — were seen

to have been produced in collaboration with Mr. Parish: there was no

other way of putting it.

The birds were building in the Tree. Astonishing birds: how they

sang! They were mating, hatching, growing wings, and flying away

singing into the Forest even while he looked at them. For now he saw

that the Forest was there too, opening out on either side, and marching

away into the distance. The Mountains were glimmering far away.

After a time Niggle turned towards the Forest. Not because he was

tired of the Tree, but he seemed to have got it all clear in his mind now,

and was aware of it, and of its growth, even when he was not looking at

it. As he walked away, he discovered an odd thing: the Forest, of course,

was a distant Forest, yet he could approach it, even enter it, without its

losing that particular charm. He had never before been able to walk into

the distance without turning it into mere surroundings. It really added

a considerable attraction to walking in the country, because, as you

walked, new distances opened out; so that you now had double, treble,

and quadruple distances, doubly, trebly, and quadruply enchanting.

You could go on and on, and have a whole country in a garden, or in

a picture (if you preferred to call it that). You could go on and on, but

not perhaps for ever. There were the Mountains in the background.

They did get nearer, very slowly. They did not seem to belong to the

picture, or only as a link to something else, a glimpse through the trees

of something different, a further stage: another picture.Niggle walked about, but he was not merely pottering. He was look-

ing round carefully. The Tree was finished, though not finished with —

‘Just the other way about to what it used to be,’ he thought — but in the

Forest there were a number of inconclusive regions, that still needed

work and thought. Nothing needed altering any longer, nothing was

wrong, as far as it had gone, but it needed continuing up to a definite

point. Niggle saw the point precisely, in each case.

He sat down under a very beautiful distant tree — a variation

of the Great Tree, but quite individual, or it would be with a little more

attention — and he considered where to begin work, and where to

end it, and how much time was required. He could not quite work out

his scheme.

‘Of course!’ he said. ‘What I need is Parish. There are lots of things

about earth, plants, and trees that he knows and I don’t. This place

cannot be left just as my private park. I need help and advice: I ought to

have got it sooner.’

He got up and walked to the place where he had decided to begin

work. He took off his coat. Then, down in a little sheltered hollow hidden

from a further view, he saw a man looking round rather bewildered. He

was leaning on a spade, but plainly did not know what to do. Niggle

hailed him. ‘Parish!’ he called.

Parish shouldered his spade and came up to him. He still limped a

little. They did not speak, just nodded as they used to do, passing in the

lane, but now they walked about together, arm in arm. Without talking,

Niggle and Parish agreed exactly where to make the small house and

garden, which seemed to be required.

As they worked together, it became plain that Niggle was now the

better of the two at ordering his time and getting things done. Oddly

enough, it was Niggle who became most absorbed in building and

gardening, while Parish often wandered about looking at trees, and

especially at the Tree.

One day Niggle was busy planting a quickset hedge, and Parish was

lying on the grass near by, looking attentively at a beautiful and shapely

little yellow flower growing in the green turf. Niggle had put a lot ofthem among the roots of his Tree long ago. Suddenly Parish looked up:

his face was glistening in the sun, and he was smiling.

‘This is grand!’ he said. ‘I oughtn’t to be here, really. Thank you for

putting in a word for me.’

‘Nonsense,’ said Niggle. ‘I don’t remember what I said, but anyway

it was not nearly enough.’

‘Oh yes, it was,’ said Parish. ‘It got me out a lot sooner. That Second

Voice, you know: he had me sent here; he said you had asked to see me.

I owe it to you.’

‘No. You owe it to the Second Voice,’ said Niggle. ‘We both do.’

They went on living and working together: I do not know how long.

It is no use denying that at first they occasionally disagreed, especially

when they got tired. For at first they did sometimes get tired. They found

that they had both been provided with tonics. Each bottle had the same

label: A few drops to be taken in water from the Spring, before resting.

They found the Spring in the heart of the Forest; only once long ago

had Niggle imagined it, but he had never drawn it. Now he perceived

that it was the source of the lake that glimmered, far away and the nour-

ishment of all that grew in the country. The few drops made the water

astringent, rather bitter, but invigorating; and it cleared the head. After

drinking they rested alone; and then they got up again and things went

on merrily. At such times Niggle would think of wonderful new flow-

ers and plants, and Parish always knew exactly how to set them and

where they would do best. Long before the tonics were finished they

had ceased to need them. Parish lost his limp.

As their work drew to an end they allowed themselves more and

more time for walking about, looking at the trees, and the flowers, and

the lights and shapes, and the lie of the land. Sometimes they sang

together; but Niggle found that he was now beginning to turn his eyes,

more and more often, towards the Mountains.

The time came when the house in the hollow, the garden, the grass,

the forest, the lake, and all the country was nearly complete, in its own

proper fashion. The Great Tree was in full blossom.‘We shall finish this evening,’ said Parish one day. ‘After that we

will go for a really long walk.’

They set out next day, and they walked until they came right through

the distances to the Edge. It was not visible, of course: there was no line,

or fence, or wall; but they knew that they had come to the margin of

that country. They saw a man, he looked like a shepherd; he was walking

towards them, down the grass-slopes that led up into the Mountains.

‘Do you want a guide?’ he asked. ‘Do you want to go on?’

For a moment a shadow fell between Niggle and Parish, for Niggle

knew that he did now want to go on, and (in a sense) ought to go on; but

Parish did not want to go on, and was not yet ready to go.

‘I must wait for my wife,’ said Parish to Niggle. ‘She’d be lonely. I

rather gathered that they would send her after me, some time or other,

when she was ready, and when I had got things ready for her. The house

is finished now, as well as we could make it; but I should like to show

it to her. She’ll be able to make it better, I expect: more homely. I hope

she’ll like this country, too.’ He turned to the shepherd. ‘Are you a

guide?’ he asked. ‘Could you tell me the name of this country?’

‘Don’t you know?’ said the man. ‘It is Niggle’s Country. It is Niggle’s

Picture, or most of it: a little of it is now Parish’s Garden.’

‘Niggle’s Picture!’ said Parish in astonishment, ‘Did you think of all

this, Niggle? I never knew you were so clever. Why didn’t you tell me?’

‘He tried to tell you long ago,’ said the man, ‘but you would not

look. He had only got canvas and paint in those days, and you wanted

to mend your roof with them. This is what you and your wife used to

call Niggle’s Nonsense, or That Daubing.’

‘But it did not look like this then, not real,’ said Parish.

‘No, it was only a glimpse then,’ said the man; ‘but you might have

caught the glimpse, if you had ever thought it worth while to try.’

‘I did not give you much chance,’ said Niggle. ‘I never tried to explain.

I used to call you Old Earthgrubber. But what does it matter? We have

lived and worked together now. Things might have been different, but

they could not have been better. All the same, I am afraid I shall have to

be going on. We shall meet again, I expect: there must be many morethings we can do together. Goodbye!’ He shook Parish’s hand warmly:

a good, firm, honest hand it seemed. He turned and looked back for a

moment. The blossom on the Great Tree was shining like flame. All the

birds were flying in the air and singing. Then he smiled and nodded to

Parish and went off with the shepherd.

He was going to learn about sheep, and the high pasturages, and

look at a wider sky, and walk ever further and further towards the

Mountains, always uphill. Beyond that I cannot guess what became of

him. Even little Niggle in his old home could glimpse the Mountains

far away, and they got into the borders of his picture; but what they

are really like, and what lies beyond them only those can say who have

climbed them.

‘I think he was a silly little man,’ said Councillor Tompkins. ‘Worthless,

in fact; no use to Society at all.’

‘Oh, I don’t know,’ said Atkins, who was nobody of importance, just

a schoolmaster. ‘I am not so sure; it depends on what you mean by use.’

‘No practical or economic use,’ said Tompkins. ‘I dare say he could

have been made into a serviceable cog of some sort, if you schoolmasters

knew your business. But you don’t, and so we get useless people of his

sort. If I ran this country I should put him and his like to some job that

they’re fit for, washing dishes in a communal kitchen or something,

and I should see that they did it properly. Or I would put them away. I

should have put him away long ago.’

‘Put him away? You mean you’d have made him start on the journey

before his time?’

‘Yes, if you must use that meaningless old expression. Push him

through the tunnel into the great Rubbish Heap: that’s what I mean.’

‘Then you don’t think painting is worth anything, not worth

preserving, or improving, or even making use of?’‘Of course, painting has uses,’ said Tompkins. ‘But you couldn’t

make use of his painting. There is plenty of scope for bold young men

not afraid of new ideas and new methods. None for this old-fashioned

stuff. Private day-dreaming. He could not have designed a telling

poster to save his life. Always fiddling with leaves and flowers. I asked

him why, once. He said he thought they were pretty! Can you believe

it? He said pretty! “What, digestive and genital organs of plants?” I said

to him; and he had nothing to answer. Silly footler.’

‘Footler,’ sighed Atkins. ‘Yes, poor little man, he never finished

anything. Ah well, his canvases have been put to “better uses,” since

he went. But I am not so sure, Tompkins. You remember that large one,

the one they used to patch the damaged house next door to his, after

the gales and floods? I found a corner of it torn off, lying in a field. It was

damaged, but legible: a mountain-peak and a spray of leaves. I can’t get

it out of my mind.’

‘Out of your what?’ said Tompkins.

‘Who are you two talking about?’ said Perkins, intervening in the

cause of peace: Atkins had flushed rather red.

‘The name’s not worth repeating,’ said Tompkins. ‘I don’t know

why we are talking about him at all. He did not live in town.’

‘No,’ said Atkins; ‘but you had your eye on his house, all the same.

That is why you used to go and call, and sneer at him while drinking his

tea. Well, you’ve got his house now, as well as the one in town, so you

need not grudge him his name. We were talking about Niggle, if you

want to know, Perkins.’

‘Oh, poor little Niggle!’ said Perkins. ‘Never knew he painted.’

That was probably the last time Niggle’s name ever came up in

conversation. However, Atkins preserved the odd corner. Most of

it crumbled; but one beautiful leaf remained intact. Atkins had it

framed. Later he left it to the Town Museum, and for a long while ‘Leaf:

by Niggle’ hung there in a recess, and was noticed by a few eyes. But

eventually the Museum was burnt down, and the leaf, and Niggle, were

entirely forgotten in his old country.‘It is proving very useful indeed,’ said the Second Voice. ‘As a holiday,

and a refreshment. It is splendid for convalescence; and not only for

that, for many it is the best introduction to the Mountains. It works

wonders in some cases. I am sending more and more there. They sel-

dom have to come back.’

‘No, that is so,’ said the First Voice. ‘I think we shall have to give the

region a name. What do you propose?’

‘The Porter settled that some time ago,’ said the Second Voice.

‘Train for Niggle’s Parish in the bay: he has shouted that for a long while

now. Niggle’s Parish. I sent a message to both of them to tell them.’

‘What did they say?’

‘They both laughed. Laughed — the Mountains rang with it!’